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The darkest parts are all painted with the same semi-transparent dark gray pigment, most likely a mixture of raw umber and black.
Here and there on the carpet's fore side we may observe the initial accents of local color.
Decorum also determined that a pictorial or sculptural subject was suitable for an architectural setting, such as Vulcan's forge over a fireplace, or that kinds of buildings are fitting in urban or rural contexts or appropriate for persons of certain status.
Liturgical functions influenced by decorum dictate the placement of paintings, mosaics and sculpture in religious buildings.
Maintaining an abundant stock of images on spec may have been a expedient to entice prospective buyers. , the brown (raw umber and/or black) dead-color filled two functions: the broader areas of dark brown paint represented the masses of shadows with the light buff color of the ground serving as the lights.
In the early , a carefully brushed underdrawing was followed by a monochrome dead-coloring in order to determine the essential forms of the composition.
The distinction between the decorative and the fine arts arose from the post-Renaissance art of the West, but is much less meaningful when considering the art of other cultures and periods, where the most highly regarded works—or even all works—include those in decorative media.Some of the decorative features have been painted with medium blue paint over the monochrome ground, most likely a mixture of natural ultramarine blue and a touch of lead white.It is probable that the blue areas would have been subsequently glazed with the same ultramarine, this time in a dense, transparent medium in order to deepen and enrich their color.Dammar varnish does yellow and crack, as all varnishes do, but less so than others.The addition of Dammar in a paint medium adds brilliance and luminosity to color.
The massive wooden window frame and the deep shadowed area of the carpet correspond rather closely to our idea of Vermeer's underpainting method.